sideways
trio


jazz
spot

the
former me

they
kept it pretty dark
daytime office hour with mike at the bar
Back
in, oh, I guess about 1999 or 2000 I started playing on alternate
Sundays at a place in Manhattan called Detour. Detour was on 13th
street off 1st avenue and I think Matt Wilson was one of the first
to play there, they had a jazz festival every year and a lot of
the players I knew hung out there. Mike Magilligan, Adam Kolker,
Masa Kamaguchi, George Schuller, Jacob Saks, Dan Reiser, Art the
owner, Steve Doyle, Joel Frahm, Chris Cheek, Dave Pietro, the
Ferber Brothers, David Berkman, Rick Margitza, Rich Perry....there
are a whole lot of names I don't remember right off the bat. A
lot of NYU students hung out there as well and they would yell
at each other, trying to scream over the music no matter who was
playing. I remember playing there with Rich Perry and he was playing
the most beautiful, melodic solos but I could barely hear him
because of the crowd. There were some great people who hung out
there as well: Shawna, Donny, Jackie who was also a bartender
and a singer (did a couple of gigs with her), her boyfriend at
the time Donovan Patten who was the actor on Blues Clues. Before
the smoking ban was enacted, the smoke on a Friday or Saturday
was solid enough to slice and this meant a guaranteed shower once
I rolled home about 3:30am and afterwards the clothes were out
in the hall. Parking was also something of a problem on Fridays
and Saturdays so I started taking the train, even if that meant
lugging an amp on the subway. Since the band didn't get paid much
some band members (like me) would try to make it up in the free
drinks - not a good idea.
After a few years it became a really great hang and it was a good
feeling to be able to walk in and hear Mike and Donny yell "The
Colonel!" (my nickname - colonel sanders, get it?) and drink
for free (most of the time) and have a place to play and a place
to get some sympathy when my life was falling apart which it was
for what seems like forever. But when Mike, Masa (and often Adam
Kolker) and I played I thought were on to something, no matter
how unenthusiastic the crowd. We tried to play as many odd-meter
standards as we could, Bill Evans Tunes, Monk tunes, Wayne tunes,
Coltrane tunes, Inner Urge/Moment's Notice/Satellite all in 7,
standards in 5, etc. At first I felt somewhat uncomfortable with
odd meters but having two friends who were into doing that was
great and there were nights that were very special, usually before
I got a chance to exploit the open bar to it's fullest. We didn't
get paid very much but the drinks were always flowing (another
reason to take the train) and it became a home away from home.
Around the same time, I started playing with Jeremy Stratton at
Grassroots Tavern a few blocks away with Pete Brainin, sometimes
Bill McHenry, Rob Sudduth, George Schuller, Owen Howard, Scott
Neumann, Dred Scott (on drums!), Anthony Pinciotti, Bruce Hall.....
So, eventually, on Sundays I would play early with Jeremy and
then run over to Detour and play with Mike and Masa. I started
bringing my laptop to Detour and trying to record the Detour Trio
but never ended up with anything that captured how it sounded
to me on the bandstand. Some nights would be great and some would
be lousy but it was always worthwhile. Some nights we would retire
to the basement between sets and hang out in by all the old restaurant
equipment and the thousands of CDs that were stacking up. Even
though Detour paid $35 to the band (!) for 4 hours of music, jazz
players from all over the world would have killed for a gig there
and Detour got about 10-15 CDs a day right up until it closed.
Those were some of the best gigs of my life and even though Detour
has closed the Grassroots Tavern is still open and Jeremy and
friends are still doing Sundays...it's great to play with them
when I'm in town and they need a guitarist.
In 2006 Detour did in fact close it's doors. A jazz club is no
way to make a living I guess. I was getting married and moving
to Austin and trying to get my life in order. Since I've been
in Austin I've been looking for a place where I could try to recreate
those Sunday nights at Detour and Dipak has very generously offered
one of my favorite venues in the world - The Whip In. This is
going to be a great residency!